Thoughts on rewriting a plot structure.


I’ve been working for about a week now on revising the plot structure of my manuscript “The Way Back Home”, as part of my participation in Lani Diane Rich’s Storywonk Revision class.

It’s been tough, partly just from coming to terms with Lani’s critique of the structure outline that I submitted and facing the idea that the book that I’ve spent several years doing cosmetic surgery on has bigger and deeper problems that need to be worked on.

I fell in love with bits that came out of me during Nano, and those are the toughest things to let go of, to admit to myself that they don’t really serve the storyline I want, at the end of the day (year? decade??) to tell. Merlik, the bad guy who I showed you a bit of in the I hate you Blogfest, is kinduv a good example of that. Not that Merlik’s character is bad in general, he’s essentially a powerful antagonist, but I hadn’t met him yet when I started to tell the story. He was first mentioned in stories told to my main characters around halfway through the book, and then finally appeared in that little showdown with Naveli.

So there were some things that had ultimately to be folded into his plan that weren’t really Merlik’s style, and most of all, I had to come up with a way for my heroine to get out of things alive. So I had Merlik spout some mysterious nonsense suggesting that it was his plan that Naveli had escaped, that he wanted her to see the world without her family’s agenda, and that was all.

And I still like that motivation for Merlik, but I’m not sure that I can really sell it and tell a good story, because it’s not a motivation that really puts him into conflict with Naveli. So I’ve been working on revising his motives to make him a badder bad guy, and of course that changes just about everything – it’s a good change, but it means that I’ll have to let go of most of the specifics and start rewriting most of the scenes from scratch.

I’m a little scared about that, but also excited.

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