Novel revision: Structure and conflict

August 21, 2011

Well, I had my final class session for the Storywonk revision class this afternoon, and overall the class wasn’t really what I was expecting.

I learned quite a lot, but I guess I thought that the manuscripts that I had were ready to the point where they just needed some fairly small changes made to them and they’d be ready to get queried.

Now, I don’t think that anymore. Most of the class wasn’t about the small-changes stuff, though Lani did cover that in ‘The paper edit’, which was today’s topic, actually.

But everything up to this point has been on more fundamental stuff – the structure of the book, the conflict, the relationship between the protagonist and the antagonist, the role of the major supporting characters – and I’ve started to see that I have a lot of work to do here. I think I’m nearly finished rewriting the basic structure of “The way back home” to up the stakes of the conflict between Naveli and Merlik, but I’ll have a lot of rewriting to do to match things up to that structure.

Which in a way, should be exciting. At this point, I’m not sure if I’m terrified or just disappointed.

So, here’s the first part of my structure – what do you think, does it sound like a story that you’d want to read? Are the stakes high from the beginning? Do things keep on getting worse?

Opening scene: While having fun with her friends at the Royal Jubilee, Princess Naveli is taken prisoner by rebel agents, along with her pet ferret Ereyu, her friend and bodyguard Tuma – and her possibly-crush, the Lady Jenna.

Things get worse: At the rebel fortress, Naveli meets Merlik (change name?) the warlock who arranged for her capture. He scoffs at her references to ransom, and tortures Tuma and Jenna in front of her to try and break her spirit. Naveli tries to use magik to escape, but the rebels have taken precautions against the few elementary wind magik spells that she knows.

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