February 12, 2013
Okay, well, as I finished my last post about drawing, I’d just gotten up to the first upside-down drawing exercise I did, where I copied somebody else’s pencil sketch by turning it upside down and uncovering it a bit at a time. The idea of this, according to Betty Edwards, is to confuse your literate and specific left brain by drawing something that it can’t assign a label to, so that your right brain is free to draw what you actually see.
When I started off February drawing month, I started off with several more upside down drawings. First, one that I think really came out well, was of a horsey:
I didn’t mean to have the head and tail go off the edge of the page like that – I’m still having some issues with judging distances, so I ran out of room. Still – nice horsey! The next one was a horse and rider, and I’m not so wild about it: Read the rest of this entry »
September 26, 2012
There was some great conversation between the four of us who showed up to Chester’s Beers of the World for the Hamilton Writers meeting last night – once they turned down the music enough that we could hear each other speak, that is. 😉
One interesting topic that came up was our choice of writing process – specifically between three very different experiences – typing on a keyboard, scribbling with a pen or pencil on paper, and speaking into a voice recorder. It was interesting to see how different people reacted to the different options.
I’m a typer; I have been since I was very young; taught myself how to go beyond two-finger hunt and peck typing, though it took proper typing lessons to cure myself of looking at the screen. I have handwriting so horrible that I can’t read it myself, and I get very nervous about the sound of my voice and my ums and uhs if I try talking into a voice recorder. But I’ve never really needed an alternative to typing – it’s a process that works very well for me.
The new gentleman who brought up this topic for conversation said that he found that a voice recorder and Dragon Naturally Speaking work very well for him – especially after he’s reached the halfway point in a story, which is where the tough part usually begins for him. He can usually cruise through the first half on a keyboard, he said, but then gets blocked if he can’t talk it through. Another writer that I’ve known for many years mentioned that she associates keyboards as a tool for a day job, not a part of her writing process, so she writes her first drafts out in longhand.
Have you found the process that works for you? Is there some special subprocess within those big three that you write best with, (a particular keyboard device, that perfect notebook paper, or whatever?) Do you ever wish that you could find a better process than the one you’re writing with now?