Outlining a short story

There’s a new short story contest up at the Straight Dope board, and I decided that this time, I was going to put some more thought into outlining it, not just start writing the first idea I thought of when I got the prompt.

That wasn’t particularly easy. I had a notion what I wanted to do when I started, mostly because of the picture, which had a clock and a bell hanging from a chain, (which immediately made me think of time travel or time manipulation,) but when I tried to apply what I’d learned in Kansas and from other workshops and classes over the past year, I kept ending up on storylines that were missing conflict, or a good antagonist, or something else important like that.

And time was somewhat running out – the contest rules specify that you have sixty hours from when you collect the prompt – I sent in my email yesterday morning before leaving for Christmas with the family, (hoping that I’d be able to mull over ideas in the back of my mind,) and so I need to have my finished story in by tomorrow night.

This evening, though, after I printed off some handouts from Julie Czerneda’s site, things suddenly started to fall into place. I ended up writing nearly 1800 words in an hour and a bit, some of which will have to get cut to finish the outline in under 2000 words, but it’s a great start, and I think that I’ll keep the entire first draft without cuts to refer to later. I’d been mulling over the idea of enclosed spaces where time runs slower or faster than normal, and then got an idea about one possible application of ‘fast time bottles’ that really got things moving.

Here’s the outline that I’ve been working off. Note that ‘sequel’ is a technical term that I learned from James Gunn in the Kansas workshop – it’s not a seperate work of fiction, but a kind of scene that’s less active and conflict-driven than the usual kind, but serves to bridge between proper scenes.